Friday, July 3, 2026

Nothing To See Here: “Country Crooner” (Part Two)


  


c. 2026 Rod Ice

All rights reserved

(7-26)

 

 

“I accept chaos, I’m not sure whether it accepts me.” – Bob Dylan

 

Friends and associates have sometimes likened my personality to that of Dr. Jekyll and Mr. Hyde. And while that might be taken as an insult by many people, in my case it is decidedly accurate. Because of the split nature of my birthright and heritage.

 

A son of Appalachia, but also, a child of higher education.

 

My paternal grandfather was someone who earned two PhD certifications, and taught engineering at a university here in the heartland. Yet he maintained a garden at home, an apple orchard, and raised chickens. The rural nature of his upbringing was never erased by more sophisticated achievements. He enjoyed staying close to the soil. My father also engaged in a routine of formal education, and chose preaching the Gospel of Christ as his calling.  But his curiosity about popular culture and the human experience never waned. He could read from the Holy Bible, play his banjo in the style of old masters, and then switch to recordings made by the Brides of Funkenstein, produced under the tutelage of George Clinton. With a sideways glance at volumes of Edgar Cayce’s clairvoyant wisdom, for good measure.

 

The result for me, was a natural tendency to embrace contrasting viewpoints, without prejudice. I developed an affinity for balance and understanding in all things, over a narrow outlook of willful ignorance.

 

But that approach could sometimes confuse allies and supporters, who were used to a black-and-white separation between respective philosophical groups. I saw enlightenment in many places, even dark crevices where daylight rarely appeared. Truth, I thought, is nearly always inconvenient and unruly. Like water, the universal solvent, it eventually finds a way to break down the harsh, stoic stuff of intransigence. It wins out where no victory is possible. It glows even in a lightless void. It persists until recognized. It endures when all else succumbs to fatigue and despair. If it raises my blood pressure, and reddens my face, then generally, it must be true.

 

Some call this perspective chaotic. Even self-destructive. I call it normalcy. The paradigm I have come to accept as familiar and useful.

 

Such thoughts were foremost in my mind, as I received another call from T. Randall Squire. This time, he was forceful but pleasant, on the order of a dealership salesman attempting to move automotive product off of his showroom floor.

 

“Rodney, I’ve gotta say that yer silly ol’ pickle song struck a nerve with me. I’m well known fer bein’ able ta spot a hit when I hear it! And that’s got ‘number one’ written all over it! Now I ain’t makin’ promises, ya understand, but if y’all are willin’ ta trust me fer a spell, we might be able ta do business together. How’s that sound, boy?”

 

I sighed lightly, before offering a response.

 

“Well, I’m flattered of course, sir. The whole point of being a creative wordsmith is to attract readers, and apparently that mission has been accomplished here. But I must confess that otherwise, your interest is somewhat confusing...”

 

Squire huffed at my hesitation. I could tell that he had already made plans to promote my work.

 

“Y’ALL ARE CONFUSED? WELL DAMMIT, CLEAR THAT MESS RIGHT OUTTA YER NOGGIN! I’M A PRO IN THIS GAME, BOY! I KNOW WHAT’LL SELL AND WHAT WON’T. AND I CAN GUESS THAT YER CUT FROM THE RIGHT CLOTH! ONE-HUNDRED PERCENT, UP IN THE HOLLER, HILLBILLY BORN AND BRED!”

 

I was shy in answering this judgment of authenticity with my own opinion.

 

“Honestly, I’ve never cared much for Country Music. I’d greatly prefer Blues or Jazz, myself. Still, the roots of that upbringing are deep in my bloodline. Therefore, it is easy to go with that vibe, on occasion...”

 

The label executive snorted and laughed out loud.

 

“Y’ALL DON’T LIKE COUNTRY? WHAT THE HELL, BOY? WHAT YA WROTE IN YER SONG IS PURE, WORKIN’ MAN, BLUE-COLLAR MAGIC! NO DOUBT-ABOUT-IT! NO BULLSHIT! NO GAMES!”

 

I felt embarrassed by his words of praise. Yet attempted to sound gracious when continuing.

 

“I thank you, certainly. But really had no intention of garnering a music audience with my composition. It was simply a writing exercise at my home-office desk...”

 

Squire coughed into his fist, and then shuffled paperwork in a noisy show of discontent.

 

“I figured y’all must be a singer-songwriter. One of them dudes sittin’ in his trailer with a flat-top guitar and a notebook. There’s a damn truckload of people like that callin’ me every day! They all wanna make big money sellin’ records and doin’ shows. But the difference is, most of ‘em don’t got a thimble full of talent. They couldn’t get a crowd of grannies excited with what they project. But that ain’t the case with yer pickle song, boy. If yer willin’ ta work with me, great things can happen fer both of us!”

 

I did not know how to answer his proposition without coming off as ungrateful.

 

“Sir, I appreciate your generous assessment. But let’s be real about this, who would pay for a ticket to see someone from an anonymous township in Ohio? My three-letter moniker would make them laugh. And my tuneful output might sound clownish and fake...”

 

The professional promoter choked up as if he had a cigar in the corner of his mouth.

 

“Boy, tell me yer full name, okay? What’s it say on yer birth certificate?”

 

I paused to reflect on the legal terms of my own existence.

 

“Umm... that document is from a hospital in Columbus, our state capital. It reads, ‘Rodney Dean Ice, parents are residents of Franklin County, delivered by Dr. D.W. Coon...’”

 

T. Randall Squire began to hoot and howl as if he had discovered a gold nugget while panning in a stream.

 

“RODNEY DEAN, THAT’S IT! THAT’S IT! I’VE NEVER HEARD A BETTER NAME FER A COUNTRY MUSIC STAR! GAWDAMN, THAT’S PRECIOUS! THAT’S A DIAMOND IN THE ROUGH, WAITIN’ TA BE POLISHED UP BY A SVENGALI LIKE MYSELF! WE’RE GONNA BE RICH! LAID OUT IN HIGH COTTON!”

 

My stomach had begun to ache. For a moment, I wanted to hang up and end the call abruptly.

 

“Well, I appreciate your confidence. But I must say that you are overestimating my abilities. I haven’t played my guitar very often in recent years. I am disabled, retired, and earning a meager amount from book royalties. Honestly, I don’t do a lot except get out of bed in the morning, write at my desk, and then count the hours until it’s time for a drink!”

Thursday, July 2, 2026

Nothing To See Here: “Country Crooner” (Part One)


  


c. 2026 Rod Ice

All rights reserved

(7-26)

 

 

Living alone in a rural neighborhood might seem like being exiled from polite society, as a form of punishment. Yet for this writer, I have discovered that quite often, the opposite is true. Being willfully separated from the mainstream order has meant gaining the free will to labor at my home-office desk on a schedule unhindered by the demands of a traditional existence. Family needs, strong friendships, and expectations of loyalty do not have any bearing on my daily routine.

 

I simply do as I please, and reap the benefits.

 

Yet the connectivity of modern times can often make this exercise a pointless venture. Because while I am indeed on an island of sorts, alone and unburdened by the cares and woes of interacting with other people, my ability to stay aloof is compromised through technology. As I have embraced networking platforms in the interest of basic communication and a measure of personal safety, my emotional firewalls have been compromised.

 

I am distant from everyone in a physical sense. But too easily accessible via my cell phone, or computer.

 

An example of this conflicted phenomenon occurred recently, after I posted song lyrics on my newspaper account. A blog site that I have maintained for several years, after retiring from the Geauga County Maple Leaf weekly, in 2014. I sometimes receive comments from readers who have opinions to offer about my work. And regardless of their character, these posts validate the fact that at least a few subscribers are out there in cyberspace, paying attention.

 

But one of these anonymous comments caught my attention because it stood out as being materially different from all the rest. Instead of grousing about my creative approach to literary forms, or echoing what I had already opined in print, a scanned business card filled the space below my prose. With an offer of contact and negotiations, should I choose to respond.

 

The specific post I had made was of lyrics penned for a Country Music ballad. One I imagined might be delivered in the folksy, twangy style of Johnny Paycheck or George Jones.

 

Pickle Jar

 

“Lost my wife and kids to a new-age rodeo

One I never saw ahead

I was too busy with my shoulder to the wheel

Earning our daily bread

Seven days a week on that bronco, busting out

And I felt like a man in charge

But when I found her note on the kitchen table

I was no longer living large

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

Now I’ve never been anti-social, so to speak

Not against friends and fun

I like to sit ‘round the campfires in summertime

And shoot the bull like a shotgun

But now that everything I had has gone away

It’s not the same exchange

Giving up all my free time for a paycheck

Just don’t feel the same

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

That jar came here filled with tart, cucumber treats

I used to spear ‘em with a fork

While the kids were outside, playing hide-and-seek

And my wife was thanking the Lord

But something changed on a day when I worked overtime

There came a visitor, unknown

And the one who repeated marriage vows at our church

Said she’d had enough of cowboys and cornpone

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

I gave up my job and that house by the riverbank

They didn’t rate anymore

I went to live in a singlewide rail car, sitting on wheels

A mattress laid out on the floor

Friends thought I must have had a broken heart

But it’s not quite that kind of a hurt

You see, I’m sadder, but wiser as an old mutt, off-the-chain

With my doghouse in the dirt

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

Done with the empty nest

And my favorite stool at the local bar

Just three fingers of Tennessee whiskey

Waiting in my pickle jar...”

 

Upon rereading my composition, I was puzzled that anyone would take it as a serious statement with artistic merit. Could it be possible that my writing abilities had struck a promoter directly between the eyes? That seemed doubtful, to be sure. I had no illusions about my skills as a small-town wordsmith. Other than providing ruminations to entertain a local audience, nothing in my portfolio had ever aroused much interest. So, I did not feel puffed up by this unexpected contact from the ether.

 

Yet the notion of someone seeing value in these verses nagged at my subconscious mind.

 

I dreamed frequently of encountering managers and record-label representatives, and performing live at the Grand Ole Opry. My sleep became restless and fraught with torment. Finally, I could not restrain myself any longer. Temptation made me weak and humble. I revisited the information that had been provided, before reaching for my wireless device.

 

The number I had was for a company located in Hendersonville, Tennessee. Supposedly a concern that officially did business with a slew of modern stars. My ears tingled when listening to their telephone menu. As I navigated through choices in the electronic roster, my pulse quickened with anticipation. Then, a booming voice filled my handset.

 

“Y’all have reached the office of T. Randall Squire Promotions! My friends call me ‘Country Squire’ like the station wagon! If ya got this exchange from me, or someone here, please reference that in yer message. Leave a call-back number and we’ll get to ya shortly. Make yer plea at the tone. And have a good day, hear?”

 

I was out of breath, and wheezed my way through a brief introduction.

 

“Mr. Squire, my name is umm... well, it sounds fake to be honest. It’s Ice, that’s spelled with three simple letters. Anyway, you made a comment on my newspaper blog. And honestly, at first, I thought it might be a ruse of some kind. But if not, then here I am front and center. Just a hack contributor to the publishing continuum. I don’t have a band or anything of that sort, and rarely pick up my guitars these days. But the muse still moves me on occasion to compose hillbilly ditties. So there you have it, I appreciate your interest, and would like to discuss whatever you’ve got in mind. Take it easy!”

 

Upon hanging up, I sat at my workspace feeling numb. A mood of uncertainty had taken hold. Was I chasing a scam invitation with my response? Or, had I perhaps stumbled onto an opportunity like no other? It would be interesting to determine which of these possibilities turned out to be valid.

 

In the meantime, I needed a drink.

“Pickle Jar”

  



c. 2026 Rod Ice

All rights reserved

(7-26)

 

 

Lost my wife and kids to a new-age rodeo

One I never saw ahead

I was too busy with my shoulder to the wheel

Earning our daily bread

Seven days a week on that bronco, busting out

And I felt like a man in charge

But when I found her note on the kitchen table

I was no longer living large

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

Now I’ve never been anti-social, so to speak

Not against friends and fun

I like to sit ‘round the campfires in summertime

And shoot the bull like a shotgun

But now that everything I had has gone away

It’s not the same exchange

Giving up all my free time for a paycheck

Just don’t feel the same

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

That jar came here filled with tart, cucumber treats

I used to spear ‘em with a fork

While the kids were outside, playing hide-and-seek

And my wife was thanking the Lord

But something changed on a day when I worked overtime

There came a visitor, unknown

And the one who repeated marriage vows at our church

Said she’d had enough of cowboys and cornpone

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

I gave up my job and that house by the riverbank

They didn’t rate anymore

I went to live in a singlewide rail car, sitting on wheels

A mattress laid out on the floor

Friends thought I must have had a broken heart

But it’s not quite that kind of a hurt

You see, I’m sadder, but wiser as an old mutt, off-the-chain

With my doghouse in the dirt

 

Lonely in an empty nest

Or hanging out at the local bar

Either way, it’s all the same

So, I’ll be drinking from a pickle jar

 

Done with the empty nest

And my favorite stool at the local bar

Just three fingers of Tennessee whiskey

Waiting in my pickle jar