Wednesday, July 8, 2026

Nothing To See Here: “Country Crooner” (Part Seven)


  


c. 2026 Rod Ice

All rights reserved

(7-26)

 

 

Almost as an afterthought, I wrote one last tuneful composition flavored with the blue-collar ethos of Country & Western music. A classic statement of betrayal and endurance, that seemed to fit the earthy template of that genre. I braced myself for a visceral reaction from T. Randall Squire, after posting it at my newspaper site. Yet this time, there was no chirp for attention from my cellular device.

 

I guessed that he had finally lost the desire to debate with me over a business arrangement that would enrich both of us, financially.

 

Goodbye, Loneliness

 

“Now I’ve heard that a happy home

Is ruled by love from the heart

But somehow when I tried that plan

It got off to a rocky start

I worked all week and paid the bills

An investment for future days

But when I saw what was going on

My wife wasn’t being straight

She ran around with men, galore

And I was covering the costs

Thought I was head of our household

But some other guy was playing boss

I couldn’t quite get that notion

At first, an ache in the head

But finally, I packed my rags and left

There was nothing more to be said

 

Goodbye, to the loneliness

If this is what must be

I’m counting on myself this time

‘Cause my woman set me free

Goodbye to the loneliness

I’ll be sleeping in my truck

This ol’ boy’s getting a second chance

Another kiss for Lady Luck

 

Now I’ve heard it said that living right

Is the best way to proceed

Read your good book, go to church

Pray on bended knee

But I spent my time in a factory

Working hard and punching the clock

And all that got me was a prize

For a fool, learning from hard knocks

She made our bed a landing pad

For neighbors, friends, and such

And when I arrived home at night

Her skin felt cold to touch

But in the end, I know the game

Because, I have been played

So here’s a toast to all we had

It’ll be a sweet yesterday

 

Goodbye, to the loneliness

If this is what must be

I’m counting on myself this time

‘Cause my woman set me free

Goodbye to the loneliness

I’ll be sleeping in my truck

This ol’ boy’s getting a second chance

Another kiss for Lady Luck

 

Horseshoes are full of magic dust

And a pot of gold is near

Those are the tales I that was told

While earning my bread and beer

I never took much from the till

It was all about family

But when I pulled in the driveway

There was a sight to see

A letter on the garage door

Said, “Don’t bother coming in!”

All my clothes were bagged up

Intended for the trash bin

I knew that the judgment day

Had finally come to pass

So, I hung my head in silence

And went back to my drinking glass

 

Goodbye, to the loneliness

If this is what must be

I’m counting on myself this time

‘Cause my woman set me free

Goodbye to the loneliness

I’ll be sleeping in my truck

This ol’ boy’s getting a second chance

Another kiss for Lady Luck

 

Somewhere in this universe

There’s a scroll of right and wrong

A string of verses, well-composed

To the tune of a Country song

And I am that cowboy cuss

The rube that got denied

A loser on the streets of home

But settled, on the inside

My heart will hope, they tell me

In the fullness things will heal

All I need is a place to work

And another to hang my steel

So, I won’t feel the pain for long

It’ll go numb over time

Tall on the saddle, I will sit

In a better state of mind

 

Goodbye, to the loneliness

If this is what must be

I’m counting on myself this time

‘Cause my woman set me free

Goodbye to the loneliness

I’ll be sleeping in my truck

This ol’ boy’s getting a second chance

Another kiss for Lady Luck...”

 

With my fingers stiffened by arthritis, I took out an acoustic guitar from the back closet, and tuned it up, carefully. I had not played in months, due to my disability. But the muse moved me to attempt recording a demo version of the track I had penned. So, with a hoarse vocalization, and stumbling strums, I sang the words aloud.

 

An accent of Appalachian, hillbilly inflections came naturally as I worked at the desk. I managed to achieve a sound that was authentic, if far from professional. Once that audio document had been captured, I posted the result on YouTube. If nothing else, I reckoned that the clip might entertain those who were still interested in such humble forms of art.

 

I did not linger long on thoughts of what had been accomplished. But a week or two later, while sitting on my porch with a cold brew, a notification popped up via the Radio.net app saved on my phone. It teased a breaking news report, about a new performer on the horizon.

 

“Listen now for a rising star from Cleveland! Hear Rodney Dean on WKKY from Geneva! Y’all are gonna be thrilled with some new talent born on the northcoast!”

 

I felt my gut tighten, and had to lean forward in the seat as it began to ache.

 

“DAMMIT COUNTRY SQUIRE! YOU HAD THE LAST LAUGH, AFTER ALL!”

 

By the weekend, a residual check for royalties appeared in my postal slot, at our mail barn. It was for a generous amount of money, more than my disability award for an entire month. I sat staring at the paper certificate for a long time. The yield seemed impossible to imagine. I guessed that a bit of studio trickery had been employed to convert my one-off performance into a useful document that could be vended to listeners. A worthy effort for the record company, and something of a miracle considering that I was still a reclusive, anonymous wordsmith in a rural, Ohio township.

 

I did not bother to reach out for comment, regarding this unscheduled release. Because I knew what the reaction of my entertainment contact would be, if given a chance to make his sales pitch.

 

“GIVE ME MORE OF THAT DOWN HOME STUFF, RODNEY! MORE! MORE! MORE!”

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